Ein Lieblingsbuch von Pablo Diserens

zu ihm gesellt sich ein Paradiesvogel

the painter Chloë Fremantle

Lionel Johnson is the shadow man of the 1890s

Kapuzinerkresse

The Music to Come Unrast Verlag Ein Lieblingsbuch von Pablo DiserensThis is not a study. It is a manifesto for a peculiar conviction: that music remains to be discovered, that it is still hidden. That, nonetheless, it does sometimes appear, but most often incompletely and unevenly. And that what we have hitherto referred to as music is in fact only a preliminary, a prodrome. That all musics produced up until now have been nothing but simulacra, rituals to call music forth. This may sound crazy, and indeed unwelcome.