driven by both dreamy and underground moods

It's a damn fine place to start an album that seems in no hurry whatsoever to make a universal statement

They started performing in 1970 and quickly moved from radical improvisation to the use of a notational system

“Chain & the Gang” decided to respond with their patented perversity

but in terms of making interesting records

KASS RICHARDS - The Language Shadow LP Drums driven by both dreamy andKass (who works with Meg Remys U. S. Girls) sings and plays guitar, dulcimer and small instrument style percussion. Recorded at Montreals Hotel2Tango, her music has the clean, hard bite of a Northern Spy apple. Some of the songs are performed as elegant solos, but there are additional instrumental touches by several Canadian musicians from the Toronto and Montreal scenes. But even when there are a few players piling up, the arrangements maintain a