die der Form eines Vogeleis nachempfunden ist

but developed with absolute perfection

each piece in the collection is an artist's original that was created during Ruth Gurvich's numerous stays at the manufactory's studios

The naturalistic depiction of the snail

In der Geschichte Nymphenburgs spielt das majestätische Wappentier im doppelten Sinn eine Rolle: Zum einen ist es eine Reminiszenz an die bayerische Kultur und den Standort der Manufaktur

10000789 Bayrischer Löwe die der Form eines VogeleisThe international career of the Nymphenburg animal figures was initiated at the beginning of the 20th century. Artists such as Theodor Krner, Josef Wackerle, August Ghring and Luise Terletzki Scherf shaped the unmistakable style of the manufactory the first giving their figures a lifelike representation while Scherf created animals with an idiosyncratic character and unique colours. Today the Nymphenburg range includes over 700 animal figurines. To be