The Luna pendant lamp

Designed to complement the Muno armchair

almost like a pet

making it bold even in its smallest form

The thickness of the shell characterizes the line of the chair

Quattordici, la Rana Sconti The Luna pendant lampSilkscreen depicting the archetype of the apple. The Nature series stems from the quest to transform an image into a symbol through a planned reduction that tends to eliminate the superfluous in favor of meaning, with a view to creating art multiples. From 1961 to 1976, Mari designed 17 symbols produced with silkscreens on Texiline. Mari began working on the subjects that constitute this series as early as 1957: in that year, he conceived the first