the Art Institute of Chicago and Tate Modern

“With beautiful images illustrating the rich diversity of objects and the materials used to make them

constitutes the first book-length treatment of Callis's work since 1989

as well as an appendix featuring maps and new biographical research that sheds light on Caillebotte’s social network

“A fascination on every page

The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950-1975 CAAMEMBER the Art Institute of ChicagoEdited by Michael Gallope, Natilee Harren, and John Hicks, with contributions by Emily Ruth Capper, George E. Lewis, Julia Bryan Wilson, Benjamin Piekut, and Nancy Perloff A collection of essays examining experimental scores and source documents from the postwar avant gardes, interpreted by experts on art, music, dance, and poetry. Individuals working in and across the fields of visual art, music, poetry, theater, and dance in the midtwentieth century